How to conserve your rarebooks
  • Tips from
    S.Balasubramani B+
    Bhubaneswar orissa

    Book Conservation, Textblock and Binding

    One of the biggest problems that the Indian Library faces is that of
    brittle paper, insect bites. The mid -1850's saw the introduction of
    wood fibre papers providing a cheap alternative to rag and linen. Due
    to acidity many wood fibre papers become weak and friable in a
    relatively short period of time and require considerable conservation
    treatment.

    Processes
    All materials which are used in treatment are archivally sound and
    all treatment which is undertaken must not preclude future treatments
    when necessary. When an item requires full conservation it will
    involve many of the following processes:

    Examination - Upon receipt, the book is examined, so that the
    conservator has a full understanding of its condition and the
    treatments that will be required. A conservation report will be
    started including, if necessary, photographic evidence containing
    details of the original binding and gold tooling.
    Collation - The order of the pages is verified, details of plates are
    recorded, and any missing pages are noted.

    Surface Cleaning - This involves the careful removal of any surface
    dirt and dust, using a 'smoke' sponge and soft eraser.
    Pulling - The book may need to be disbound into sections/single
    leaves.

    pH testing - This determines the amount of acid in the paper. If the
    reading is below 5.5, the paper may have to be washed or deacidified.
    Washing - Washing is carried out by immersing the pages in a bath of
    warm water. This washes out many impurities within the paper, and
    makes it more receptive to aqueous deacidification treatments.
    Deacidification - This process neutralises the acid and raises the pH
    leaving an alkaline reserve within the paper for future protection.
    The Library uses two main methods of deacidification, aqueous -
    where the pages can either be brushed or immersed in a solution of
    magnesium bi-carbonate then dried, and non-aqueous- where the pages
    are sprayed with a solution of Ethyl Magnesium Ethoxy Carbonate,
    using nitrogen gas as a propellant. This deposits particles of
    magnesium carbonate onto the surface of the paper, which helps
    neutralise the acid. (This solution is environmentally friendly in as
    much as it does not contain any CFC's).

    Repair - The item is then repaired if necessary, using inorganic
    tissues and handmade papers with wheat starch paste.
    Sewing - The repaired sections are then sewn on either tapes, flat
    hemp, cords or thongs, depending on the original format or binding
    style.

    Binding - Books can be bound in a variety of covers - goat, pig or
    leather, vellum, cloth or paper. Many books can be bound re-using
    their original boards and spine and if a binding structure is
    particularly important and/or fragile, the item will have a purpose
    made box made for it.

    Gold Finishing - Once bound, the books are finished, using gold leaf,
    hand letters and decorative tools if required.

    Treatment
    All conservation treatments aim to be reversible. This means that
    traditional materials are used as far possible and the materials are
    of archival quality and sympathetic with the original document. It is
    important that historical evidence is not destroyed or obscured and
    as much of the original is retained as possible. If a book comes into
    conservation and has its original or historical binding then a
    minimum intervention technique will be carried out, which means the
    damaged parts of the binding will be stabilised and consolidated with
    as little interventive conservation as possible.

    The book will be bound using as much of the original material as
    possible, as the binding can give historical evidence on the social
    history of the book, its date, provenance and history of ownership.
    If, for whatever reason, the book has been bound in an inappropriate
    style (which can cause damage to the text block and restrict the
    opening of the pages) and no evidence of the original binding exists,
    then in collaboration with the curator of the collection
    a 'Conservation Binding' will be undertaken. This means the book will
    be bound structurally in keeping with its date and provenance. We do
    not undertake restoration (the recreation of original decoration or
    tooling) as this would be purely for aesthetic reasons. It is
    important when conserving material to be aware of the cultural and
    religious significance of each item in selecting the style of binding
    and type of materials used.

    Flat materials
    Flat materials that are conserved include broadly:
    written documents - manuscripts, printed items and maps
    pictorial items - watercolours, prints and drawings, photographs,
    oils and acrylics

    the items are on paper, , palm-leaf, bark, textiles and thin metal.
    Quite often the conservation involves removal/re-working of earlier,
    more than likely 20th century repairs, either because inappropriate
    repair materials were used, or the item has had high reader usage and
    became worn and damaged.

    As with conserving any other material in the Library collection, an
    initial discussion takes place between the staff responsible as to
    how best to repair and store the item. Some items are frequently used
    for exhibition and loan purposes and/or seen by many readers;
    delicate repairs may not, on their own, withstand much handling. For
    this reason some items are more robustly repaired than others (such
    as large maps). With items such as illuminated manuscripts, fragile
    paper fragments and scrolls, once repaired, a way to protect them
    must be considered without unnecessarily covering the text or other
    details, to make protective cases or covers so that they can be used,
    possibly for future display.
    Processes

    Removal - Removal of old backings may involve the use of equipment
    that produces a controllable stream of fine, pencil-jet steam or
    gradual dampening of the back using blotting paper and Gore-Tex cloth
    (Gore-Tex slowly and gently introduces moisture evenly onto the flat
    object underneath it) or the use of distilled water and brush.
    Magnifying lens and sometimes microscopes are used during this
    process to ensure as much adhesive is removed whilst disturbing the
    original surface as little as possible.

    Pressure-sensitive repair tapes such as Sellotape are removed using
    particular solvents. This kind of work is done under a fume hood so
    as not to inhale the toxic fumes.

    Repair
    Various types of tissues and paper are used extensivel

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